Friday, June 25, 2010
(Social) Realism: Afghanistan
Fareeha Ghezal Yousufzai
It's a tree so withered and broken that only a single scarred branch is still struggling heavenwards. Yet all life has not gone: a tiny leaf, green against the cerulean blue of the sky, stubbornly clings to a twig. For the circle of burka-clad women huddling around the forlorn trunk in the hot, dusty sunshine, it is a sign of hope.
The painting by Fareeha Ghezal Yousufzai that depicts this scene is part of "Make Art, Not War," the first-ever independent exhibition of works by female Afghan painters outside the strife-torn country (Ursula Sautter).
World (Social) Realist Art (Index of Countries)
This blog page is part of an ongoing project by artist and part-time lecturer Caoimhghin Ó Croidheáin (http://gaelart.net/) to explore Realist / Social Realist art from around the world. The term Realism is used in its broadest sense to include 19th century Realism and Naturalism as well as 20th century Impressionism (which after all was following in the path of Courbet and Millet). Social Realism covers art that seeks to examine the living and working conditions of ordinary people (examples include German Expressionism, American Ashcan School and the Mexican Muralists).
Click here for (Social) Realist Art Definitions, World (Social) Realism and Global Solidarity, Art and Politics, Social Realism in history and Country Index.
Suggestions for appropriate artists from around the world welcome to firstname.lastname@example.org.